26.4.11

Timewaster alert!!

Sorry, but Aaron asked me if I read any web comics. The answer, regrettably, is yes. Just one.

http://www.qwantz.com/index.php

Dinosaurs, discussing the meaning of life. Ohh, yeah.

24.4.11

I Do Too Much (A Sestina)

Posted a link to a great collection of Sestinas a little while back. Thought I might as well write one.  Wrote two. Here's one. Before you read it, you might want to check the rules of Sestina form, so you catch what's actually going on. Next one tomorrow-ish. Needs a once-over.


Sestina: I Do Too Much

These days I dream only of sleep
While I am trapped, awake, at work
It’s not that I despise my job
But that I work until I drop.
Obsession’s not the same as love:
I need to learn to say “no.”

It doesn’t matter what you know;
It only matters where you sleep
At night, who gives you all their love.
We might still make this whole thing work.
What kills is not the life-long drop:
It’s the landing that does the job.

Assume that teaching is my job:
We can assume that part of my job is teaching. “No
Child left behind,” save those that drop
Off the wagon, preferring sleep
To learning. You know best what works
To get you what you most love,

I suppose. But what if they love
Their ignorance? Is it my job
To kick their asses, make them work?
And if I, lazy, accept “no”
As an answer, will I still sleep
As our standardized test scores drop?

In my nightmares I watch things drop.
It is not duty dressed as love
That haunts me when I fail to sleep,
But the nagging sense that this job
Is hopeless; that there can be no
End to the damned and draining work

Required. What might drive them to work?
As our standard of living drops
Will our ambition rise? It’s no
Reflection on school. Those who love
To learn, will. For the rest, those jobs
Where boredom lulls them sweet to sleep.

I cannot sleep. There is work to do.
No tears. Not one drop. Let’s face it:
I love this stupid job.

19.4.11

Sonnets, Too!

There are a lot of shoddily written explanations of sonnet form lurking in the dank corners of the internet.

This, however, is not one of them:

http://web.bvu.edu/faculty/drake/sonnets.htm

The wikipedia entry, on the other hand, although thorough, is a bit over the top with the big list of variant forms. The KISS rule might just apply here.

Sestinas

The rules of the form are bizarre, but the results are often compelling.

There's a sort of obsessive-compulsiveness to the Sestina, with it's continual recycling of just a few key words.

It's a shuffling and reshuffling of a very small deck.
It is madness.
It is precision.
It is angels dancing on the head of a pin.
Everybody should write at least one sestina at some point in their life. You might as well start now!

Here's a great spot for samples and inspirations:

http://www.mcsweeneys.net/links/sestinas/

Check 'em out. There's a world of weird beauty hiding here.

McSweeney's is also possibly the biggest time-wasting site on the net for those with a literary inclination. Don't say you haven't been warned!

~tps

15.4.11

me / not me

Me / not me

Feeling vain.
Typed my name
Into youtube just to see
If I was famous yet.

813 results.

Was disappointed to find
I had succumbed to depression
At the age of 17.

Had lost traction in my car
Puffing clouds of grey smoke,
Stink of rubber.
Apparently I no longer have
That twin turbo GN.
Probably for the best, really.

Am a hero to a small town
chamber of commerce
For the puzzling act of
bringing the goods back,
unmelted.

Play the guitar,
But not my guitar,
Not my music.
Not my hair, either.

Was pleased to learn I
once sang a duet
With Sarah Jessica Parker
So sweet I made the audience
Shed a tear or two.

even finished medical school
And launched a crusade to beat cancer
Once and for all.

Didn’t mention anywhere
That I was still
writing poems.

Oh well.

14.4.11

Transformations #8: All the Days

#8: all the days (him as much as her)

with no reason to be here
there is no reason to go
anywhere else, either.

unaware you are wounded,
you will recover over years
as the bark of a tree
re/covers the wound
of a twisted band of wire
carelessly attached by a child
one summer—
patiently accumulating
layers of grey sorrow
until one day

without warning
the trunk will split.

by then, you will not even remember
her name, let alone
why she left.

you will be astonished—
genuinely mystified—
to find the gleaming wire

still wrapped tight
around your broken heart.

12.4.11

transformations #7: prestidigitation (pay no mind)

#7: prestidigitation (pay no mind)

ignore my hand. it is empty—
a gesture without content,
an idiot flower i flourish
to distract (you) from my thieving eyes.

ignore my hand. it is empty.
your two (of hearts) transformed:
already a dove
already a flag
already a seed
buried winter-deep and dreaming
in the white and changeful
heart of an apple
you will buy at a market
years from now, long after
you have forgotten i
ever played this trick at all.

ignore my words. they are empty.
i am reading the braille of your lips right now.

11.4.11

Transformations #6: origami (bird/flower)

#6: origami (bird/flower)

to begin
is to acknowledge the flat
blank canvas always
of morning.

to proceed
is to give myself
once more into your
hands.

fold me lovingly
in upon myself
crease upon crease
by the nail of your thumb
i become:

cranes and apple blossoms
peace and maybe love
perfect useless—ornamental
and unfailingly:

broken

at each point you
have touched.

10.4.11

Transformations #5: fossil (find a home)

#5: fossil (find a home)

when you died
you became
a map of yourself—an idea:
how to build
the past.

patient water
replaced your sullen bones
with geology.
slow million time crept in,
replaced your fog-breathing
lungs

with a plaque
on the wall
of the much-loved museum
of good ideas
dead and gone.

we all should be so lucky.

we all should be so loved.

9.4.11

Transformations #4: gold/silver (spider alchemy)

#4: gold/silver (spider alchemy)

our hands make only
mirrors of the world.
the threads we golden spin
each morning fade
slow to silver

reveal us hiding
claw-like, chitinous
starving at the center of our dreams,
laying traps of slender wire
to catch a shifting wind.

8.4.11

Transformations #3: Radionuclide

#3: radionuclide (no new star)

born of (stardeath) love
glowing hopeful apples
in the secret earth
you (and I) give away (we
give away)

half our (starbirth) lives devoted:
light the city with our smiles.
realize the bones
beneath notional skin.

tear down the spiral stairs.
our children are (starlight)
not shadow selves

it's different every time:
the light goes through us
changes not who we are
but who we can become

half our lives wasted
away (starshape) smiles:
gold transmutes 
to flat pale lead.

7.4.11

Transformations #2: Pupate

pupate (born into)

as a wing is to an arm
blessed with sky
as hand to fin
a million millions older than.

swim this ocean
of words and gestures
hide below the hive
and change

skin a thin grey blanket
around the world
to keep our blood unmingled

each heart pupates
rearranges. (you)
slough off dead cells.
become.

scrape your fingernails
across this membrane:
emerge into the world
bloody-eyed and smiling.

Music Nights

Practiced with the trio tonight, plus one. Wonderful guest on acoustic bass. Everything changed. The songs came out different--different tempos, different accents, different feels. We played the same song eight times in a row, and it grew every time, improved every time, followed a different arc every time. This is life. There is no map that leads us from our beginnings to our ends, only this desire to travel in the company of good people a while.

This is as it should be. Music, when you give yourself to it completely, is a way to find yourself, your heart, in a dark and echoing room. It is a way to find the hearts of the other musicians too, and maybe even an audience every now and then. Music exists only in the space between the people involved; so when a new musician enters the space, everything should change. And if everything changes for the better, you've found a friend, there in the dark, playing music and looking for you, too.

Tonight we found a friend. And we found each other again, too. And all that's just the way it's supposed to work.

5.4.11

Transformations Project

Jenny gave us the idea. Tanis put the idea on a stage and asked for words. So I obliged. I'll be posting a poem a day for the next 8 days, exploring the theme of Transformations. Enjoy!

Transformations #1: Lycanthrope

a hand slides away
from the unblinking eye of the moon:
your bones betray you. again.

this is not. a sure. thing.

you are a tooth:
loose and bleeding
in the open mouth of the night.

leaves rot on the stairs.

blank memory
is no sure sign
you have not been here before.

moon slides away
from your hands; your bones
slide away from.
the moon slides away.

unfold. you cease to be
the paper crane, become
the empty page again--
back where you started,
blank. moonfaced.

the creases of your skin
are a map.

you cannot read it.